In the world of the macabre and unusual, only a few exhibitions have inspired the imagination and horror of the public as much as the preserved life of Peter Kürten, the notorious “vampire of Düsseldorf”. This interesting artifact is part of Ripley’s Believe It or Not! The collection is not just a macabre relic; It is a dark memory of one of the darkest chapters in the history of the crime of the twentieth century. In an exhibited museum that celebrates the extraño and increíble, the heads of Kollens would still lose their fascination and loss even after his death.

Peter Kürten, born in Germany in 1883, was a serial ass whose brutality was terrorized in the city of Düsseldorf in the 1920s. Kürten was known for his sadism and obvious joy in drinking the blood of his victims and admitted to fewer new asesinates, regardless of number real is probably much higher. His crimes, which also included attacks on women, children and men with martilleo, tijeras and cuchillos, converted him into a figure of pestilence in the collective idea. After an intensive raid, he was arrested in 1930 and executed with the Guillotina in 1931, which he held until his government of terror.

But Kürtens’ story did not end with his death. In a turn as disturbing as his life, his head was preserved after execution. Scientists of the time were fascinated by the criminal thought and carried out an autopsy. They left the head to examine it. They expect to encounter a physical anomaly that causes monstrous behavior. The brain was dissected and the head remained like a macabre trophy after treatment with chemical products. Over time, this property became private and finally landed in the collection of Ripley’s Believe It or Not!, a series of museums known for the exhibition of rarities throughout the world.

In the museum, Kürtens is displayed in a glass display case. Your pale skin and similar to the wax are still intact, your eyes are closed and your facial expression seems to fluctuate between calm and discomfort. Accompanied by stories that document life and crimes, the exhibition is filled with land-scattering details, from their land-stopping confessions to the black and white photographs of this period. For many visitors it is a moment of soft surprise; For others it is a despicable loss of the human capacity for illness.

The grabación de Kürtens Head en la controversy desencadenada de Ripley. Some consider it a legitimate piece of history, an artifact that offers insight into the past for the first attempts at forensic criminology. Others considered it a sensational exploit, a spectacle that minimized the suffering of Kürten’s victims. “It’s hard to see without getting chicken problems,” commented a visitor in an online review. “But you also wonder what drives someone to convert into a monster.”

Considering the criticisms, the story continues to be one of Ripley’s most popular attractions and attracts spectators and lovers of the macabras throughout the world. Your presence in the museum is a question of a hanging legend, not like a hero or legend, but like an advertisement. More than 90 years after his execution, the “Düsseldorf Vampire” still aims from his escape from video to the living, for a moment landing, whether Ripley believes it or not! if he has immortalized himself for future generations.